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Corporate Naming Lessons From Naming People

Marilyn Monroe

Many Hollywood stars have changed their names and gone on to successful careers that would be hard to imagine if they hadn’t made the switch. For example, Marilyn Monroe’s real name is Norma Jeane Mortensen.

Back in the 1970s, Herbert Harari, a psychologist at San Diego State University, found evidence that teachers discriminate against “oddly” named pupils. Eighty teachers were asked to grade four different papers written by fourth and fifth grade students. No matter which papers the names Elmer and Hubert appeared on, they averaged one full grade lower than the same papers attributed to Michael and David.

Since that time, other researchers have noticed the strong first impression that names create and demonstrated their role in creating expectations for the people they’re attached to (“What’s in a Name? Maybe it’s a student’s grade!”).

Corporations can also have loser brand names, something that can be confirmed by research or general intuition, and such names can unfairly and negatively influence perceptions of their performance or potential.

Changing a “Loser” Name
Many Hollywood stars have changed their names and gone on to successful careers that would be hard to imagine if they hadn’t made the switch. Archibald Leach became Cary Grant. Marion Morrison became John Wayne. Norma Jeane Mortensen became Marilyn Monroe.

While name changes in the corporate world are possible, the process is more complicated. New corporate names need to be accepted and supported by employees, customers and investors, and they can’t infringe on the good will of other corporate names.

Professional firms and corporations often get consumed by trying to preserve equity in existing names. Advertising agency Batten, Barton, Durstine & Osborn had a name that was a tongue twister, so they switched to the initials BBDO, just as PricewaterhouseCoopers became PwC.

But if thoughtful enough, corporate name changes can benefit corporations as much as—if not more than—they benefit individuals.

Lessons Learned
Through the work we’ve done with past clients like GE, Disney and Adobe, we’ve put together a list of tips that may help you through a name change:

  • Individuals and companies have a choice in how they name themselves
  • Some names can be perceived as losers and some as winners
  • Loser names can be successfully changed to winning names
  • It’s important to live up to the conveyed or implied promise of a name
  • Short names are generally more impactful than long names
  • There is a fine line between names that are unique and names that alienate
  • Don’t let “equity” in ineffective names prevent you from developing better names

The main reason companies give for not fixing a sub-par name is that they don’t want to lose their “brand equity.” But, you have to give up something that’s not working to gain something that’s better. Advertising and promoting an ineffective name is throwing good money after bad.

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Need a Creative Breakthrough? Reframe Your Approach

Leonardo da Vinci challenged convention with his thinking, as he demonstrated in his drawings of his flying machine. Similarly, we must be creative thinkers as we work to position our clients. (Courtesy Toronto Public Library)

Leonardo da Vinci challenged convention with his thinking, as he demonstrated in his drawings of his flying machine. Similarly, we must be creative thinkers as we work to position our clients. (Courtesy Toronto Public Library)

At Marshall, we’re not designers, but we appreciate the creative problem solving approach that visual designers employ. When we are called upon to position a client, we must find a way to describe their complex organization in a single compelling thought, which requires similarly creative thinking.

This can be a daunting task, especially with the multifaceted clients we work with. For example, we have several higher education clients, such as UC Berkeley and Caltech, who are known for being leaders across a breadth of disciplines. When we work with them on positioning, our goal is to develop one defining thought that’s clear enough for the organization’s audiences to understand, but broad enough so they aren’t limited by it. We call this strategic ambiguity, but that doesn’t mean that this thought can be vague. It still has to be true, differentiating and meaningful.

Along the way we might get stuck as we work to distill this “big idea” from the many important facts we hear. When we get stuck, the key is to approach the problem from a different perspective—to be unconventional.

Getting Unstuck

There are a few tips we can share that will help pull you out of your creativity slump, reframe your position and move ahead.

  • Do your homework. Early on, we immerse ourselves in the client’s world as deeply as we can—interviewing people inside and outside of the organization, spending time in their environment and looking for as much insight as possible. Then, if we need to shift the direction, we have plenty of research to go back to.
  • Listen for the truths. Identify multiple insights at the beginning of the process, instead of beginning the project with one narrow insight. It’s smarter to begin the creative process by thinking of all points of entry into an issue.
  • Go big right out of the gate. Keep your thinking as high level as possible. Look for analogies in other businesses or industries. This will enable you to rise above the details and look for organizing principles.
  • Make sure you’re solving the right problem. Sometimes we end up wrestling with issues—such as organizational or operational problems—that can’t always be solved through positioning or messaging. If you try to resolve the wrong problem, the solution will always be at odds with it.

Early on in our work with UC Berkeley, we saw them as a uniquely unconventional institution. But the idea of “challenging convention” was divisive, as for many it tied the school to the rebellious era of the ’60s and left-wing protests. We reframed our thinking and thought about Berkeley’s excellence across every discipline—a truly renaissance institution where breakthroughs often happen because disparate ideas collide daily. If Berkeley were a person, we thought, it would be someone like Leonardo da Vinci. We found Berkeley’s bigger promise in this renaissance spirit—reimagining the world, by challenging convention to shape the future.

Creative problem solving begins with being well informed, then taking a step back to free oneself of the details. When you let go for a minute, and look for the unconventional approach or reframe your path, new avenues will open.

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Think Big: Understanding the Value of Strategic Ambiguity

Whether we’re working on corporate identity, positioning strategy or naming, there’s a term we often use in our work with most clients: Strategic Ambiguity.

Whether we’re working on corporate identity, positioning strategy or naming, there’s a term we often use in our work with most clients: Strategic Ambiguity. It helps clients understand the need to find balance between being highly specific or overly vague in what it is they stand for and how they want to be perceived.

Strategic ambiguity, as organizational communication expert Eric Eisenberg defines it, enables a company to express itself—its mission and goals—in a way that allows “the freedom to alter operations which have become maladaptive over time.”

By being strategically ambiguous, companies who encounter turbulent times in the future can maintain a firm grasp on their identity and goals while embracing change. For our clients, this is key to staying relevant.

How Does Strategic Ambiguity Work?
Eisenberg notes that when air travel replaced sea travel from the United States to Europe, cruise lines survived only because they rebranded themselves as entertainment and hospitality facilities. This broader self-identifier allowed companies to provide new services, such as pleasure cruises and activities on boats that never even leave the dock. Because the cruise industry didn’t pigeonhole itself as a method of transportation, it survived and has since flourished.

In another industry affected by technological change, at least one company failed to identify the opportunity that strategic ambiguity allowed it. At its heart, Eastman Kodak was a chemical company in the business of making and selling film. As technologies changed and digital transformed how we create and consume images, Kodak didn’t evolve to think of itself more broadly. Had Kodak zoomed out and seen itself as a leader in the imaging industry, its future (and current unfortunate reality) may have looked very different.

Taking advantage of strategic ambiguity isn’t a matter of creating a formula, and it takes work. Finding the right balance is a step we help many clients take, and it’s part of what I love about our work. We help our clients make sometimes difficult choices and develop consensus on where their organizations are headed.

Achieving the Best Results
Three tips for applying strategic ambiguity:

  • Know the difference between being ambiguous and being strategic about your ambiguity. When naming and/or positioning your company, you can’t say, “Well, we don’t want to limit ourselves, so we’re going to try to be all things to all people.” You are not all things to all people—and you won’t succeed if you try to be.
  • Make choices. Strategic ambiguity is about drawing lines, and it requires a strong identity strategy. It’s more about who you are and why you matter than about what you’re doing right now. If you can commit to what you stand for, that commitment will actually allow for more flexibility when you’re confronted with change.
  • Think about the possibilities. Find ways to explore what you do now in different contexts and from new perspectives. This will help prepare you to make decisions about where and how you’ll allow yourself to grow and evolve over time.

If you hang your hat on what you do best right now, understand that people will continue to perceive you that way—a year, five years or 10 years from now.

So think big. Just not too big.

Ask Marshall About Strategic Ambiguity for Your Business
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If They Know What You Stand For, Your Consumers Will Love You (and Your Brand)

HeartIn the news last month were the results of a recent study that reveals the world’s 100 most loved companies. The top three brands? The Walt Disney Company, Yahoo! and Google. The study surveyed 70,000 people in 15 countries and measured individuals’ emotional feelings toward a brand. While we’re happy to see several of our past clients on the list, the study poses a great question: How can a company establish enough emotional connectivity to create familiarity and favorability among its audiences?

A company can’t be familiar to, or loved by its customer base if it isn’t true to itself. If familiarity breeds favorability, this might make a good argument to push for a higher marketing spend. But a more fundamental (and less expensive) way to improve and sustain familiarity is to be coherent and consistent in how you tell your story. Customers are people. People trust what they know.

Creating a Trustworthy, Intriguing Brand
Three steps to becoming a familiar and favored brand:

  1. Know who you are. Build a strong identity strategy and you will have a clear mission. Your employees will understand what they’re a part of and your customers will be able to identify with the choices you make. Our founder and CEO Philip Durbrow points out that everyone from the gardeners to the guy who plays Goofy could give a solid yes or no on whether something’s really “Disney” or not.
  2. Walk the talk. If there is a disconnect between what you proclaim yourself to be and how your customers experience you, your brand will cease to be appealing or trustworthy. All the marketing dollars in the world won’t solve this problem.
  3. Find the balance. Once you have an established following, you have to decide how to walk the line of remaining familiar while innovating and evolving as an organization. One of our recent SlideShare presentations, “How to Create a Valuable Company,” demonstrates that a company can be both solid and reliable and dynamic and innovative.

Seeing Success
Many brands struggle to connect with their customers and create favorability because they never take the time to assess what they stand for. One study points out that, more than familiarity just leading to favorability, it leads to behaviors that support companies’ strategic goals. Word-of-mouth marketing, investment referrals—these help companies grow and succeed, and they are more likely to happen for organizations that tell a clear and honest story about who they are.

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